SOUNDING OUT BLAIR: Westminster Cathedral : 42 Francis Street: London SW1
Thursday 3 April 2008 at 7.00 pm (assemble from 6.30 pm)
Thursday 3 April 2008 at 7.00 pm (assemble from 6.30 pm)
A nun with a buglar alarm is one of many Catholics who will join the Stop the War protest outside Westminster Cathedral on Thursday 3 April, when Tony Blair gives his lecture on 'Faith and Globalisation'.
The protest aims to sound out Tony Blair with musical instruments and
sound-making implements of every kind -- drums, trumpets, saxophones,
violins, cymbals, whistles, sirens, horns, rattles, cowbells, saucepans and cans. At least two choirs and musical ensembles of every type will be attending, along with numerous individual musicians, drummers, percussionists and students from the Royal Academy of Music.
Brian Eno will be joining the protest, which will be preceded by a silent vigil organised by the Catholic organisation Pax Christi from 6.30 - 7.0 pm. Others include: students from Royal College of Music, Caryl Churchill, Band 'The Rub' - a cycled-powered DJ system!, Peace Not War musicians, Voices in the Wilderness, Pax Christi, Senior Catholic journalists, Strawberry Thieves choir, Raised Voices choir, Catholics with banner with Pope John Paul II peace quotes, Stop the War London groups .... and Royal National Institute for the Deaf contacted us to recommend earphones for participants! Perhaps though we should offer them to the audience who will have to listen to Tony Blair.
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"Rebellion against tyrants is obedience to God" Benjamin Franklin
Rough music is the term which has generally been used in England since the end of the seventeenth century to denote a rude cacaphony, with or without more elaborate ritual, which usually directed mockery or hostility against individuals who offended against certain community norms.
A definition of the term from 1811 said it involved the use by the rebellious and disaffected populace of: Saucepans, frying-paps, poker and tongs, marrow-bones and cleavers, bulls horns, &c. beaten upon and sounded in ludicrous processions.
In ‘Customs in Common’ E P Thompson wrote: “I find much that attracts me in rough music. It is a property of a society in which justice is not wholly delegated or bureaucriticised, but is enacted by and within the community. Where it is enacted upon an evident malefactor – some officious public figure or a brutal wife-beater – one is tempted to lament the passing of the rites …. Rough music belongs to a mode of life in which some part of the law belongs still to the community and is theirs to enforce. It indicates modes of social self-control and the disciplining of certain kinds of violence and anti-social offence (insults to women, child abuse, wife-beating) which in today’s cities may be breaking down.”
Substitute the last eight words above with “which in today’s politicians may be breaking down” and there you have it
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