Actually we must say: Tarantino is the real bastard. And it does so in a way, of course original and true author filmmaker, that deep within her the desire to drag everyone to kill the Nazis but especially Hitler.

Because, after all, has always been the question that we have always paid every time we've seen a war movie, and if history had gone differently? If one of those attacks against the Third Reich would have been really successful?

And then, rising and uncontrollable instinct that somehow responds to our questions: "If we really had a gun and I was waiting for him to Hitler, at that time I could really kill?".



And Tarantino, this film, took the satisfaction of killing him. Gratifies our instincts.

It does so with a style that definitely shows his maturity film, but without us missing a few scenes in the "nonsense" word that characterized his best films such as Pulp Fiction and Reservoir Dogs.

Here, then, that the film opens with a long and relentless questioning of the so-called "hunter of Jews" and a French farmhouse, which hides under the floorboards a family of Jews.

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extract: "Fool, how could you think that we would kill You? Do not you know that we would kill You a thousand times, to the limits of eternity, if eternity could have limits? "