CIA BOUGHT RIGHTS TO ORWELL'S ANIMAL FARM TO MIS-REPRESENT HIS VIEWS
David Icke | 25.11.2003 15:50
archived 03-035-00
Archive file re032500a
The C.I.A., worried that the public might be too influenced by Orwell's pox-on-both-their-houses critique of the capitalist humans and Communist pigs, dispatched agents to buy the film rights to "Animal Farm" from his widow to make its message more overtly anti-Communist.
Rewriting the end of "Animal Farm" is just one example of the often absurd lengths to which the C.I.A. went, as recounted in a new book, "The Cultural Cold War: The C.I.A. and the World of Arts and Letters" (The New Press) by Frances Stonor Saunders, a British journalist. Published in Britain last summer, the book will appear here next month.
Traveling first class all the way, the C.I.A. and its counterparts in other Western European nations sponsored art exhibitions, intellectual conferences, concerts and magazines to press their larger anti-Soviet agenda.
She also shows how the C.I.A. bankrolled some of the The C.I.A., worried that the public might be too influenced by Orwell's pox-on-both-their-houses critique of the capitalist humans and Communist pigs, dispatched agents to buy the film rights to "Animal Farm" from his widow to make its message more overtly anti-Communist.
Rewriting the end of Animal Farm is just one example of the often absurd lengths to which the C.I.A. went, as recounted in a new book, The Cultural Cold War: The C.I.A. and the World of Arts and Letters" (The New Press) by Frances Stonor Saunders, a British journalist.
Published in Britain last summer, the book will appear in North America next month. Traveling first class all the way, the C.I.A., and its counterparts in other Western European nations, sponsored art exhibitions, intellectual conferences, concerts and magazines to press their larger anti-Soviet agenda.
She also shows how the C.I.A. bankrolled some of the earliest exhibitions of Abstract Expressionist painting outside of the United States to counter the Socialist Realism being advanced by Moscow.
The Cultural Cold War:
The C.I.A. and the
World of Arts and Letters
(The New Press)
by Frances Stonor Saunders
a British journalist.
Archives Menu
David Icke WebSite
Notice: David Icke, www.davidicke.com, David Icke E~Magazine, and/or the donor of this material may or may not agree with all the data or conclusions of this data. It is presented and reported here 'as is' for your benefit and research. Material for these pages are sent from around the world. If by chance there is a copyrighted article posted which the author does not want read, email the webmaster and it will be removed. If proper credit for authorship is not noted please email the webmaster for corrections to be posted. David Icke, www.davidicke.com, David Icke E~Magazine, and/or the donor of this material does not offer or provide any medical opinion, medical endorsement and/or medical advice as would be defined in law, legal code, legal policy, administrative rules and regulations.. nor does David Icke, www.davidicke.com, David Icke E~Magazine, and/or the donor of this material endorse the FDA or similar organizations around the world.
Archive file re032500a
The C.I.A., worried that the public might be too influenced by Orwell's pox-on-both-their-houses critique of the capitalist humans and Communist pigs, dispatched agents to buy the film rights to "Animal Farm" from his widow to make its message more overtly anti-Communist.
Rewriting the end of "Animal Farm" is just one example of the often absurd lengths to which the C.I.A. went, as recounted in a new book, "The Cultural Cold War: The C.I.A. and the World of Arts and Letters" (The New Press) by Frances Stonor Saunders, a British journalist. Published in Britain last summer, the book will appear here next month.
Traveling first class all the way, the C.I.A. and its counterparts in other Western European nations sponsored art exhibitions, intellectual conferences, concerts and magazines to press their larger anti-Soviet agenda.
She also shows how the C.I.A. bankrolled some of the The C.I.A., worried that the public might be too influenced by Orwell's pox-on-both-their-houses critique of the capitalist humans and Communist pigs, dispatched agents to buy the film rights to "Animal Farm" from his widow to make its message more overtly anti-Communist.
Rewriting the end of Animal Farm is just one example of the often absurd lengths to which the C.I.A. went, as recounted in a new book, The Cultural Cold War: The C.I.A. and the World of Arts and Letters" (The New Press) by Frances Stonor Saunders, a British journalist.
Published in Britain last summer, the book will appear in North America next month. Traveling first class all the way, the C.I.A., and its counterparts in other Western European nations, sponsored art exhibitions, intellectual conferences, concerts and magazines to press their larger anti-Soviet agenda.
She also shows how the C.I.A. bankrolled some of the earliest exhibitions of Abstract Expressionist painting outside of the United States to counter the Socialist Realism being advanced by Moscow.
The Cultural Cold War:
The C.I.A. and the
World of Arts and Letters
(The New Press)
by Frances Stonor Saunders
a British journalist.
Archives Menu
David Icke WebSite
Notice: David Icke, www.davidicke.com, David Icke E~Magazine, and/or the donor of this material may or may not agree with all the data or conclusions of this data. It is presented and reported here 'as is' for your benefit and research. Material for these pages are sent from around the world. If by chance there is a copyrighted article posted which the author does not want read, email the webmaster and it will be removed. If proper credit for authorship is not noted please email the webmaster for corrections to be posted. David Icke, www.davidicke.com, David Icke E~Magazine, and/or the donor of this material does not offer or provide any medical opinion, medical endorsement and/or medical advice as would be defined in law, legal code, legal policy, administrative rules and regulations.. nor does David Icke, www.davidicke.com, David Icke E~Magazine, and/or the donor of this material endorse the FDA or similar organizations around the world.
David Icke
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http://www.davidicke.com/
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