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THROWING GLITTER IN THE WORKS - Sambaistas and the carnival block

Rhythms of Resistance | 23.10.2001 17:01

Some thoughts for discussion on ourselves and the role we play in actions. You've heard the music, now read what we have to say




Carnival:

1. An expression of freedom involving laughter, mockery, dancing, masquerade and revelry.
2. Occupation of the street in which the symbols and ideals of authority are subverted.
3. When the marginalised take over the centre and create a world turned upside down.
4. You cannot just watch carnival, you take part.
5. An unexpected carnival is revolutionary.
(Taken from a RTS poster for J18)

‘If I can’t dance it’s not my revolution’ – Rosa Luxemburg

Over the past few years in the overdeveloped countries of the west there have been a series of mass mobilisations, aimed at disrupting business as usual for globalised capitalism, and in particular, for it's political and economic elite. Three tactical approaches to contesting power on the streets have emerged from these mobilisations. These could be called respectively the black, the white and the carnival blocs.

Although the black and white blocs have been the focus of much spectacular corporate and leftist media attention, the tactics of the carnival bloc has generally been ignored.
The Carnival bloc as a tactic exemplified at J18 in London 1999, S26 at Prague in 2000 or Barcelona J24 in 2001, offers an alternative way to critic and disrupt capitalist social relations without getting locked into a dialectic of escalating physical force between young able bodied militants and the cops.

Unlike the roving hit squads of the black bloc tactic, or the non-violent but assertive tactics of the white overalls, the carnival bloc offers a zone through which the whole range of people, not just the physically confident able bodied adults, can act together in challenging the power of capitalism to order our existences.

Carnival as a tactic is highly effective way of disrupting and critiquing the 'business as usual' worlds of work and consumption and of liberating social space. It moves beyond the leftist / militant approaches which limit our actions to being merely demonstrations of our 'victim' status in relation to capital and can incite / excite members of the general population to take a part in the collective realisation of our desires for a socially and ecologically just world. In the UK the carnival bloc as a tactic has its roots in the street parties of RTS, but unlike the largely static street parties the carnival bloc aims at being tactically mobile.

The Immediacy of Carnival.

Capitalism, the dominant system of organising economic production and reproduction (and environmental destruction) in our society, is above all a set of social relationships. If the anti-capitalist movement managed to overthrow the state organisation today, it would possibly be restored or a new one formed in a matter of weeks. This is because the ideas and ways of relating to each other, which sustain the capitalist system, have been internalised by us all.

But the tactic of carnival, with its subversive sense of fun and pleasure, offers us a way of liberating ourselves from such internalised oppression. Along with challenging the authority of the policeman on the street, through our playful resistance we can also challenge the policemen in our own heads

Carnival as an experience brings into question, subverts and overturns the hierarchical dualities that shape our thinking under capitalism. These thought patterns structure our everyday lives and lock us into patterns of behaviour which value and privilege duty above pleasure, work over play, society over nature, male over female, straight over queer, white over black and above all, the power that abstract wealth or money over our directly experienced sense of our human needs and desires. In contrast a carnival is a fluid, plural and collective situation where no one viewpoint is in complete control.
Within an insurgent carnival formation, a group of sambaistas can play a key tactical role.

The rhythmical sound creates a mobile temporarily liberated space within which the carnival can coalesce. Speaking to people in a way more immediate than spoken words, It creates an immediate uplifting feeling, giving people the sense of self-confidence that will allow them to step off the pavement and into the street.

Rhythms of Resistance
- e-mail: info@rhythmsofresistance.co.uk
- Homepage: www.rhythmsofresistance.co.uk

Comments

Hide the following 4 comments

Emma said it not Rosa

23.10.2001 18:08

The quote attributed to Rosa Luxembourg, was made by Emma Goldman who supposedly said,

"If I can't dance I don't want to be part of your revolution."

Emma Goldman was an anarchist and I take the reference to your revolution as a criticism of the Bolshevik revolution in Russia in 1917. Although that may not be so and she said it earlier than this.

Rosa Luxembourg was also highly critical of the Bolshevik party and Lenin, before 1917 and is, I think, best described as a libertarian socialist. After the German revolution in 1918 the spartacist league, which Rosa had founded, evolved into the German Communist Party and adopted the Lenist and later Stalinist approach. Rosa was dead by this point, which leaves plenty of scope for lots of political traditions to fight over her corpse and no doubt various left organisations want to claim her as one of their own. However, contrary to what you might read orhear at their meetings Rosa Luxemoburg was not a member of the SWP, or the Socialist Party and certainly not the present day Sparticists, as none of these groups existed then. Sorry if that is very obvious.

There is a dancing story attached to Rosa Luxembourg in that she reputedly refused to dance with a man called Bernstein who was the architect of the German Social Democratic Party becoming reformist and eventually supporting the first world war.

A real quote from Rosa Luxembourg about World war one is

"Proletarians fall as profits rise"


Hope this does not seem like petty criticism, just thought the info might be helpful

As far as I know niether Rosa Luxembourg or Emma Goldman had much to say about Black, White or Samba blocs as they didn't exist then.

Neither did Trotsky or Lenin for that matter, thought there are plenty of ideologues who will try to convince you that they did. And anyone who disagrees with their parties of groups tactics are WRONG

Here's to political diversity and political carnival.

In the words of two great immortal political giants upon whose shoulders we stand
"There are some things that make us all the same
You, me, them,
Everybody, Everybody"

Everybody, needs somebody,
somebody to love....."

Any chance of revitalising the old favourite,

make love not war



Apologies if you think this post is a bit short on insightful political comment or the pious self justification of our favourite biggest/smallest leninist party or the slanderous rants against them that seem to pass for insightful political comment

Keep on drumming Sambaistas Maybe not everyone wants to dance their way to a better world, but I do.

At least you might be able to unite the monotone, dogmatic, monopolising, corporate Trotskyist anti-capitalilsts (shh I want mention their name or the front groups name for fear of being called sectarian), yeah unite them with the monotone, dogamtic, demon-opolising, off the back of a lorry, anarchist anti-capitalists in their mutual condemnation and fear of the power of the rhythmical shaking of arses,


"Samba's all very well you know but what about the revolutionary party, any chance of a rythm we can chant our favourite slogans to..... The say cutback, we say recruiback, cut back, recruitback, cut, cut ,cut back, recruit, recruit, recruit back"

"Samba's all very well you know but what about no war but the class war, and for fuck sake the MC blows his whistle and the drummers start drumming, bloody heirachy by the back door if you ask me...."

Yawn,Yawn,Yawn

(Disclaimer: Not saying everyone who is a trotskyist fits the above description nor everyone who is an anarchist fits the anarchist one)

Emma


The art of change

23.10.2001 19:40

I think dance, color, art and movement are as important in a revolution as ideologies. At least in my revolution. I wish to thank all of you that have not forgoten how to play and like to express yourselves, make music and dance in the streets.

To much information is of no use if your imagination is been supressed. This also applies to ideologies.

I don't trust those that say anything against music, dance, art and movement because they surely have a hidden agenda. If you can't express yourself free, the political ideologists of the time are fascists, regardless of their colour.

nobody


Carnival of the Oppressed

24.10.2001 08:17

Rhythms of Resistance hold Open Samba Practices at QMAC on Queensland Road, London N.7 between 6.00pm and 8pm every Wednesday.

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Whoops!

25.10.2001 16:56

I can tell you that I've been given a stern telling off from big sista agogo for the Emma Goldman/Rosa Luxemburg faux pas!

Even litter bro Tambourim

Little Bro Tambourim